Ugh. So ill today, like I’ve been drinking STRYCHNINE. My stomach is bruised. One nostril whistles like an icy cave on a mountaintop.
Esther goes to do family things, and I stay in bed. “Have you got money on your phone so I can text you and say ‘Baby, what are you doing now?’” I ask.
“Hmm” she replies. As well as being rubbish at Public Displays of Affection (PDAs), she is incapable of Text Affection (TAs).
I think ‘right, now I am going to find some real porn. This will cheer me up’. Halfway through a shower scene I feel really sick and have to go to sleep. The sound of sticky balls slapping against bumcheeks haunts my dreams, like some feverish jungle drumbeat that goes faster and faster as I am burned alive.
"Please can we at least hold hands?"
Esther goes to her parents for a family meal. After a couple of hours, she texts saying, “This is horrible. I want to come home”. This is as near to a TA as I’m likely to get, but I must not get excited. I text her back some alibi “I feel poorly and I need you to come back”.
An hour later, she’s back. “Jesus” she says, letting out air, “That was like being with the Royle family, only it’s not as fun if you’re actually there.”
“What happened?” I ask.
“Mum went crazy because she couldn’t find the special spoon she’d got to serve the trifle. She screamed ‘I can’t have any lovely trifle if I don’t have that knife’ and couldn’t be consoled”. Time to leave.
"I don't know what you're smiling at, you've just ruined pudding!"
I’ve just finished All Families Are Psychotic by Douglas Coupland. I don’t think I want to read anything by him ever again because he depresses the shit out of me. If you can’t be American, rich and happy, there’s no hope for any of us.
Wade thought about his father. What would the world have to offer Ted Drummond, and the men like him, a man whose usefulness to the culture had vanished somewhere around the time of Windows 95?
Slit my wrists now please.
I believed the script I was handed. And then one day in the early 1980s I hit a red light in North Vancouver and ding! I understood that I was now forever in life’s minus columns and the plus column was over.
The only thing that makes me carry on reading is because it sounds exotic to a lower middle class British suburbanite like me.
Hmm let’s see what would happen if we transported it to, let’s say, Rotherham or Stoke on Trent. Here’s how the novel starts:
Janet opened her eyes. – Florida’s prehistoric glare dazzled outside the motel window. A dog barked; a car honked; a man was singing a snatch of Spanish song. She absentmindedly touched the scar from the bullet wound beneath her left rib cage.
Here’s the grime remix:
Tracey opened her eyes- South Yorkshire’s grey smog hung thickly outside the dirty double-glazed window of the Sally Army hostel. A dog yelped as its Big Issue vendor owner kicked it; a car revved and ‘music’ that made her bowels move penetrated the room; a crazy man was shouting the names of God’s favourite meals. She absentmindedly touched the half-eaten scab from the Tenants Super can slash beneath her third belly fold.
I have been floored by this LIVE AID ’85 documentary
I am actually crying now because I miss the optimism of Bob Geldof, who really believed that he could change something about the world with some bands.
Why can it never be recreated? Because we no longer have the optimism. We have gone from a ‘WE’ decade to a ‘WHO AM I’ epoch, a ‘WHY?’ era.
The Darkness, Jamelia, Dido, Travis and Ms Dynamite. They sure knew how to pick ’em for posterity!
Note to self: It’s one of the Mysteries of the World, Rowan Atkinson’s transformation from sexy bastard as Black Adder to sexless geek Mr Bean. Perhaps I too can go from the latter to the former?
We take poverty, disease and misery for granted. We have become ‘compassion fatigued’, brought up by the generation that had the last sense of purpose: a viable future. Our inheritance is apathy. There’s bad shit out there, but we can’t do owt about it. May as well get fucked.
I feel cheated. Did I ever believe in anything?
I used to love animals- but only to collect books about them like a colonial hoarder.
I used to believe in vegetarianism, and I was brought up to feel deep empathy for animals, our house was full of them. But I don’t feel that anymore. I can stuff my face with meat with only a tinge of guilt, not enough to put me off.
I feel love for every single band that sang at live aid. Such decadent faith and belief would be instantly cut down by the bitter chavs of cynicism now.
Fundraising has been hijacked- the ‘Live Aid effect’ is one of many styles available to ad companies to flog iPads or car insurance or Nokia phones.
People cared about the Falklands War, about the first Iraq War, about the future, about other people. Now we don’t give a flying fuck. We’ve still got some people who act all earnest- socialists and feminists and Tories. But underneath, everyone is status-driven but blank, vacant, inert like some suavely-jacketed potato. Bollocks.
The only answer is to refuse to answer, to say ‘no comment’.
80s pop is life affirming. Noughties pop is bitter, angry and botoxed.
One’s fun to look at and fun to hear, the other is kind of traumatic to watch, (though) fun on the ear. The cartoon shizzle injects some black humour into a prison-rape-murder movie. Don’t girls just wanna have good clean fun no more?
I’ve just taken 2 ibuprofen and 2 paracetamol now, so the wet cheeked inelegant gushing part of my illness should soon subside, and I will be able to feel no sadness or joy. I will become how I am at my natural state. Merely existing.
As I try to sleep, I can hear the pets snoring (Linda a high pitched nasal snort, Goldie an almost human ‘pufff’). I can hear Esther letting out long breaths of pent up worry.
I am left with the memory of 2 things from today in this darkened room. The sight of a skinny teenage boy with an unusually large and girthy cock, fucking a teenage girl in a shower where the water isn’t running. She looks like she’s sat on an uncomfortable fence waiting for the bus. I think I lost a bit of my soul watching it. The balls go ‘slap, slap, slap-slap, slap-slap, slap, slap’ against her arse and the camera zooms round from a balls-eye-view to a front view of this girl who is kind of unsure where to look. ‘Right’ she seems to think, ‘I’d better make out that I’m really enjoying this’ and she does the whole eyes closed, gasp routine. I get bored and fast forward the video-suddenly they are out of the shower, sat on the toilet and his huge cock seems no nearer to coming. Jesus. Why choose this location? It’s like fucking in a bus shelter or a bank queue- and all I can think is ‘why isn’t the shower on?’ and ‘Does straddling the toilet make either of them need a poo?’ These are non-places (Auge)- they look the same everywhere you go, they are purely functional, where we spend most of our time, but where we spend the least time personalising.
The sound of slapping testicles mixes in my head with the slow-mo footage of starving Ethiopian babies, their stomachs swollen in the ridiculous illusion of obesity, and their tear stained faces covered in dirt and flies. “Give me your money,” shouts a dishevelled Bob Geldof, slamming his hand down on the table.
Slap slap slap. Should I groan now? Ok, ‘aaah’ ‘oooh’. “Fuck this, pick up the phone now and give me your money” Bob growls.
I want to cry for the loss of innocence in both films- the faces in front of the cameras look strangely confused, as if asked to perform something embarrassing in front of a stranger.
What would Bob Geldof be like in bed? An angry young man, pummelling away until he’s satisfied, cursing you as a capitalist whore? Paula Yates could have told us.
"Wouldn't you like to know"
Not a Cure for insomnia: turned the TV on to watch Medium- about a woman who every time her heads hits the pillow is transported to some psycho’s head and has to save someone from certain death. A walking advert for staying up all night. We may all want to be good Samaritans, but if we were forced into the role permanently, we’d go apeshit in a short while.
The 80s had Miami Vice- the Noughties had Misfits. Is one more honest or truthful than the other? Was Miami Vice escapist fluff, and Misfits (and Inbetweeners) is the gritty, shitty truth of our times? Are they merely signs that we’ve plummeted from a time of sexy optimism to one of bitchy pessimism and sarcasm? Or that feminism and identity politics have deflated the masculine ego in culture, and it’s no longer believable to be so happy and full of yourself? Life is shit and you’re a chauvinist pig if you don’t think so?
The pain is lifting like steam from piss…
Answers on a stolen postcard please, I’m currently indisposed.